"全球暖化"是30多年来为警告和教育全球变暖后果的巨大危险而奋斗的成果,甚至在当时被认为是边缘化和危言耸听。
我与多媒体艺术家Lénaïc G. Mercier的合作,使这次展览成为现实。它不仅仅是一个以自然、自然之美和自然灾难为灵感的绘画展示,而是一个真正的沉浸式、互动式和教育性的装置。

在"全球暖化"展览中,观众从进入展览的那一刻起就与现实隔绝,沉浸在一个鲜活的视觉和声音宇宙中。
展览的第一幅画揭示了"我们的未来是什么"这句话,周围的破碎材料碎片隐藏着一个可能的"?",为观众提供了一种可能性,让他对这句话有自己的解读,肯定或质疑,从而为我们的地球未来选择自己想要的方向?
在整个展览中,观众将面对动画画作,这要归功于"生活艺术的處理"(Living Art),对每一幅画作的重大主题,如土地、海洋和空间污染、海洋水位上升、地球全球变暖和臭氧洞的缩小,以及人类活动造成的灾难等,都将以前所未有的方式进行预测。
当他穿越到"全球暖化"的中心地带时,观众在海洋深处深沉的闷声中,被鲸类的啼哭声遥远回音所包围。


除了代表场景的动画绘画外,参观者将面对一个相当引人注目的物理和有机装置:龙卷风。
这种龙卷风由冷水蒸汽和循环气流组成,对包围它的大气条件完全敏感,使它的威力或大或小。
围观的游客越多,它的力量和密度就越大,直到它几乎消失。相反,当只有少数人分散在它周围时,漩涡就会变得密集、强大,几乎令人恐惧。
在展览中加入这个互动龙卷风,让我们反思群体和团结的概念。我们越是在一起,我们就越是能不控制自然,而是保护自然,使其免受对自然和人类最具破坏性的灾难。我们将无法单独做到这一点。
我们对抗全球暖化的主要武器不是什么绿色技术,也不是一些所谓的生态创新,因为从长远来看,这些创新比它所替代的技术污染更大。不,我们的主要武器是一个词:教育。
在开发"全球暖化"的过程中,我们建立了两个宝贵的合作伙伴关系,一个是学习和文化的地方--费城法兰西联盟(Alliance Française de Philadelphie),负责主办展览的创作,另一个是18岁以下年轻人的法语教学学校--PhilaFlam,在那里,我们非常荣幸地主持了两场约有50名学童的会议, 与他们讨论全球暖化的挑战以及在日常生活中应采取的简单行动。
这些非常丰富的互动向我们证实,我们永远不该低估儿童的思想能力,以及他们在完全不受社会、政治或经济压力的情况下理解、分析和行动的非凡能力。
透过这些讨论,孩子们创造性地参与到展览中来,透过绘画,展示了他们自己对气候及其变化的看法。
"全球暖化" 不止是一个简单的展览,而是一个对孩子和大人真正的教育工具。





Title: Red Code for Humanity
We all have a strong affinity for and love for animals. My goal in creating these paintings is to increase public awareness of the devastating effects of the wildfires that have occurred during the last three years. The recent mega-wildfires in Australia, California, Canada, France, Greece, Spain, North Africa, and South America, as well as the wildfire in Siberia, have been fatal for billions of animals and are on the rise in 2024. Compiling images for my collage was an emotional journey, as it involved viewing distressing documents from around the world.
We created these two 40'' x 60'' paintings using mixed media. They depict a red tree and a scene of devastation, symbolizing two critical concerns threatening our existence: the alarming increase in wildfires and their devastating impact on wildlife and ecosystems. My goal is to evoke a profound emotional response, urging viewers to confront the urgent need for action in the face of this environmental crisis.
We are moving from the Anthropocene, which is characterized by human dominance, to the Pyrocene, which is characterized by terrifying wildfires. From 2018 to 2023, California endured 43,843 fires, burning 8.7 million acres. Texas suffered 42,293 fires, scorching 1.9 million acres. Winds, flammable grasses, and climate change all played a role in the Smokehouse Creek fire. The fire spread across over 1 million acres in Texas. Wildlife has suffered immensely, with over 17 million animals lost, including slow-moving species and vulnerable young. Ecosystems face destruction, with rainforests losing 137 species daily due to logging and human activity causing significant damage in Australia's fires. The Earth's hostility toward humanity becomes increasingly evident amidst this devastation.
These paintings are my expression of the 3 billion animals lost forever to the fire. Let's ponder this: What does biodiversity loss mean for us and the environment? I look forward to hearing your thoughts.
The Pyrocene: A World Ablaze
The Anthropocene to the Pyrocene


THE HENRY GALLERY, PENN STATE GREAT VALLEY
Exhibition reception October 21, 2025 – December 22, 2025
Stain PHL 2024 organized at the ACADEMIC SCIENCE NATURAL, 1900 Benjamin Franklin Pkwy, Philadelphia, PA 19103








